Jill Lepore
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Many historians and cultural observers argue we live in a post-truth world-but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century.
In Who Killed Truth? acclaimed Harvard historian and New Yorker staff writer Jill Lepore traces the origins of our current post-truth crisis. In a series of spellbinding...
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A brilliant, revelatory account of the Cold War origins of the data-mad, algorithmic twenty-first century, from the author of the acclaimed international bestseller These Truths. The Simulmatics Corporation, founded in 1959, mined data, targeted voters, accelerated news, manipulated consumers, destabilized politics, and disordered knowledge - decades before Facebook, Google, Amazon, and Cambridge Analytica. Silicon Valley likes to imagine that it...
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From one of our most accomplished and widely admired historians, a revelatory portrait of Benjamin Franklin’s youngest sister and a history of history itself. Like her brother, Jane Franklin was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator. Unlike him, she was a mother of twelve. Benjamin Franklin, who wrote more letters to his sister than he wrote to anyone else, was the original American self-made man;...
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Publisher Annotation: In the most ambitious one-volume American history in decades, award-winning historian and New Yorker writer Jill Lepore offers a magisterial account of the origins and rise of a divided nation, an urgently needed reckoning with the beauty and tragedy of American history. 960pp., 50K
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Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline...
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Pub. Date
[2023]
Physical Desc
335 pages : illustrations (some color) ; 29 cm.
Description
Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history.